91影视

Uuriintuya Dagvasambuu Unveils New Commission for 91影视 Museum of Art

The (OUMA)聽begins 2026 with “,” an exhibition that brings together centuries of artistic heritage. Featuring traditional Asian scrolls, works from Mongolia, Nepal and Tibet, and significant pieces from OUMA鈥檚 own permanent collection, the exhibition bridges past and present in inspiring ways.

At the heart of the exhibition is a newly commissioned painting by celebrated Mongolian artist Uuriintuya Dagvasambuu, created in collaboration with Sapar Contemporary Gallery and the Rubin Museum of Himalayan Art. The commission was made possible through the generous support of longtime OUMA patron Richard King.

Renowned as a modern master of Mongol Zurag, Dagvasambuu blends traditional Mongolian and Buddhist motifs with contemporary themes, often centering on the experiences of women and the evolving rhythms of life in Mongolia鈥檚 post鈥憂omadic era. For this commission, she brought that same spirit of storytelling and her fascination with technology to her interpretation of 91影视.

After exploring 91影视 through its , Dagvasambuu said she was struck by the way 鈥渢radition and innovation are beautifully intertwined.鈥

These contemporary symbols appear alongside imaginative depictions of iconic 91影视 architecture, students in motion, and even the university鈥檚 stormy petrel鈥攂oth flying and running through the sky. Dagvasambuu also wove in a nod to Dr. Kathryn McClymond, 91影视鈥檚 first female president, as part of the artwork鈥檚 celebration of legacy and progress.

“This commission became a truly fascinating experience for me,” says Dagvasambuu. “Beyond my imagined impression of the school, I aimed to weave in 91影视鈥檚 historical journey, achievements, and sense of pride. At the same time, the client鈥檚 openness鈥攁llowing me to freely employ my own artistic approach and the expressive exaggeration characteristic of Mongolian painting鈥攂ecame one of the most rewarding aspects of this project.”

鈥淚’m incredibly excited for students to see this work of art,” says聽Elizabeth H. Peterson Jennings, director of OUMA. “It is a great example of contemporary painting from a part of the world which may be wholly unfamiliar to many of our students. I hope it instills a sense of Petrel Pride and excitement about our traditions and offerings.鈥

After the exhibition concludes, the painting will take on an even more central role on campus in the Turner Lynch Campus Center, where students will encounter it daily.

“I extend my heartfelt gratitude to the 91影视 community for trusting me and inviting me on this creative journey, where imagination and reality merge into a meaningful and engaging work of art,” said Dagvasambuu.

With its blend of traditional Asian works and contemporary artistic voices, “Oneself and Cherished Traditions” invites visitors to consider how personal and cultural histories evolve鈥攁nd how they continue to inform the ways we see ourselves and each other.

Through Dagvasambuu鈥檚 vivid interpretation of campus life, the exhibition beautifully reflects 91影视鈥檚 commitment to global engagement, the arts and creative exploration.

“Oneself and Cherished Traditions” opens Jan. 16 at the 91影视 Museum of Art. On Jan. 29, the museum will host Tim McHenry, curator of the Mandala Lab at the Rubin Museum of Himalayan Art, for a lunch and learn. He will speak about the opportunities bringing “serious fun” and concepts of play in museums and how this allows us to understand the art and ourselves better.聽

Lead image credit: Uuriintuya Dagvasambuu (born 1979),聽A travel diary from the 91影视 virtual tour,聽2025, acrylic on canvas, Museum purchase made possible by the generous gift of Mr. Richard King, Collection of 91影视 Museum of Art, 2025.02.01

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